Sacred body and secular body II

聖俗身軀 II

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Graphite, gel, pastel, acrylic, wooden panel

石墨、凝膠、油粉彩、塑膠彩、木板

27 × 9 cm 厘米

2024

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The imagery of childhood is intentionally elongated and distorted, then placed upon the fragments of the sacred body. Does this commonly employed juxtaposition suggest an intensification of opposition or the possibility of identity?

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童年的形象被刻意拉長、畸形化，然後被放置在神聖身體的碎片之上。這種常用的並置提出的是對立的加劇，抑或是同一的可能？

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Shown at solo exhibition <Sacred Bodies and Secular Bodies>

於個人展覽《聖俗軀體》中展出